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"""Eight Venetian Palace Paintings"" inspired by Claude Monet, Brooklyn Museum of Art."

"""Eight Venetian Palace Paintings"" inspired by Claude Monet, Brooklyn Museum of Art."

"Brooklyn Museum of ArtBrooch, Approx. 1.1""H, 1.2""W"
"""G"" Clef Brooch - Musical Notation"

"""G"" Clef Brooch - Musical Notation"

"Music, Opera, Ballet and Theatre Collection - Inspired by a Victorian design, the symbol of the “G” Clef determines the pitch of a particular line, and sets the reference for all musical notes. Brooch, 2.5""H"
"""The Bird Perch"" Five Birds on A Branch Brooch, Hector Giacomelli"

"""The Bird Perch"" Five Birds on A Branch Brooch, Hector Giacomelli"

"Nature, Wildlife and Nautal Wonders Collection. Brooch, Appox. 1.25""H, 1.75""W"
"14th Century Rosette Brooch Syria or Egypt, last half 14th century,"

"14th Century Rosette Brooch Syria or Egypt, last half 14th century,"

"Inspired by the center motif of a gold filigree rosette with a four-partite interlacing design. The technique used may represent an outgrowth of the earlier Fatimid tradition. Syria or Egypt, last half 14th century, A.D. 24k antique gold plate over pewter.Brooch, Approh. 0.8""H, 0.8""W "
"14th Century Rosette Earrings, Syria or Egypt, last half 14th century,"

"14th Century Rosette Earrings, Syria or Egypt, last half 14th century,"

"Inspired by the center motif of a gold filigree rosette with a four-partite interlacing design. The technique used may represent an outgrowth of the earlier Fatimid tradition. Syria or Egypt, last half 14th century, A.D. 24k antique gold plate over pewter.Earrings - Clip Earrings, Approx. 0.8""H, 0.8""W"
"1930s Classic Yacht, Large - Nautical, Maritime & Marine Historic Museum Collection"

"1930s Classic Yacht, Large - Nautical, Maritime & Marine Historic Museum Collection"

" Ships fully assembled in crated box. No rigging work required. Highest quality parts: fabric sails with detailed stitching, solid brass antiqued hardware made from individual molds, decking and hulls built plank on frame like original dockyard models. Plans and drawings are researched in the archives of museums and national libraries. Our scale models are true miniature representations of the original yachts. This as opposed to decorative models where autistics license is a factor. People love to admire the intricate details of the hulls, decks, rigging and sails of our models. Scale models adorn the Oval Office at the White House, Wall Street offices and private libraries. Ascale model is a sound investment. Over time we have seen many of our models sold at international auction houses such as Sotheby’s, Christie’s, Phillips. Most brought multiple times the original retail cost. Some models come with certificate, complete with the name and the limited edition number. L. 35.43 in. / 89.99 cm. W. 5.91 in. / 15.01 cm. H. 35.43 in. / 89.99 cm. Diam. - in. / - cm."
"A Vila Mon Gardi Li Mo  Ring (Here is my heart guard it well) : France, 15th Century - Posey & I"

"A Vila Mon Gardi Li Mo Ring (Here is my heart guard it well) : France, 15th Century - Posey & I"

"A Vila Mon Gardi Li Mo Ring (Here is my heart guard it well) ring inspired by the 15th century French original which is located in the British Museum, London. Sterling, Sizes 6-10, please specify below or in order comments"
"Adinkra Heart Earrings, sterling - West Africa, 19th Century"

"Adinkra Heart Earrings, sterling - West Africa, 19th Century"

"This sterling silver piece is inspired by an Adinkra stamp made from calabash and used in printing patterns on cloth. Adinkra cloth is made up of squares within which individual motifs are repeated. Each design has its own name with magical, historical or allegorical meaning. The heart, Akoma, symbolizes love and patience. Sterling, Approx 0.5""H "
"Adinkra Heart Pendant, sterling - West Africa, 19th Century"

"Adinkra Heart Pendant, sterling - West Africa, 19th Century"

"This sterling silver piece is inspired by an Adinkra stamp made from calabash and used in printing patterns on cloth. Adinkra cloth is made up of squares within which individual motifs are repeated. Each design has its own name with magical, historical or allegorical meaning. The heart, Akoma, symbolizes love and patience. Sterling, 16"" on Chain "
"Amor vincit omnia (love conquers all) Bracelet, 13th Century (from Chaucer's Canterbury Tales"

"Amor vincit omnia (love conquers all) Bracelet, 13th Century (from Chaucer's Canterbury Tales"

"This bracelet is an inspiration of the original 13th century ring, now in the collection of the British Museum. The bracelet has been adapted from the engraving and style of the original ring. The Latin phrase amor vincit omnia translates as love conquers all, a motto known to all students of English literature as the one engraved on the brooch worn by the Prioress in Chaucer's Canterbury Tales. The full quote from the Roman poet Virgil's Eclogues X, 69 dated to 38BC is omnia vincit amor et nos cedamus amori or love conquers all; let us too, yield to love!Sterling Silver "
"Amun-Ra - Egyptian Museum, Berlin,  1500BC"

"Amun-Ra - Egyptian Museum, Berlin, 1500BC"

"Amun-Ra, God of Kings and King of Gods. The oldest and longest venerated ruler of ancient Egypt, Amun, meaning “hidden” and Ra meaning “light” translates to “hidden light”. The sacred creature of Amun is the ram with curved horns. This image was probably suggested by the ram’s procreative energy, a symbol to his aspects as a God of fertility. “Woserhat”, the gilded festival boat of Amun had a ram’s head at its bow and stern, and the processional roads to his temple were flanked with ram-headed lions. Pharaohs repeatedly called themselves “Merry-Amun” or Beloved of Amun. Also, since the ruler was “Son of Ra” it followed that Amun was father of the Monarch. As God of the Theban capital, Amun attained the position of supreme state God in the new kingdom, and as Amun-Ra was identified with the Sun-God. Lastly, the God “He who abides in all things”, was imagined as the soul (Ba) of all phenomena.6""H "
"An offering to Isis and Osiris - Temple of Isis, Philae, Egypt.  Dynasty XXVI, 530 B.C."

"An offering to Isis and Osiris - Temple of Isis, Philae, Egypt. Dynasty XXVI, 530 B.C."

"This relief shows Isis protecting her husband Osiris with her wings. A pharaoh is also shown offering a libation to them. Isis together with her husband Osiris and their son Horus formed the main triad of the Egyptian religion. The name Isis means ""Seat"" or ""Throne"". She was regarded as the symbolical mother of the King. In myth she sought her dead husband and brother, Osiris, conceived her son Horus by him, buried and mourned him together with her sister Nephtys. Isis was regarded as the “Eye of Ra” and was worshipped as the ""Great of Magic"" who had protected her son Horus from snakes, predators and other dangers; thus she would protect mortal children also. In the New Kingdom Isis was closely connected with Hathor whose physical attributes, the cow's horns and sun-disk she adopted. The Ancient Egyptians regarded the Goddess as the ""Eye of Ra"". Osiris, the Resurrection God, is the central figure in the afterlife myth and in Egyptian mythology as a whole. His name means ""The Seat of the Eye"".13.5""H x 20""W (34x50cm) : 14lbs : Bonded stone "
"Ancient Egyptian Hoop Earrings - Egyptian, 1070-525 B.C."

"Ancient Egyptian Hoop Earrings - Egyptian, 1070-525 B.C."

"Earrings similar to these remained popular in ancient Egypt through several dynasties. They have been found adorning statuettes of Egypt’s cat goddess Bastet as well as the ears of royal priests. The original earrings were made of gold and found in an ancient cemetery in the Nile delta. Approx .75""H "
"Ancient Egyptian Hoop Earrings, sterling - c. 1070-945 B.C., Brooklyn Museum"

"Ancient Egyptian Hoop Earrings, sterling - c. 1070-945 B.C., Brooklyn Museum"

"Earrings of this kind became popular in the New Kingdom during the 18th-20th Dynasties. Our earrings are based on a pair of gold earrings reportedly found near Deir el Bahri on the West Bank of the Nile at Thebes in 1893. They belonged to a man named Pasebakhaienipet who was a priest of Amun-Re, King of the Gods at the southern metropolis of Thebes.Approx. .75""H "
"Ancient Motif Ring, Kuwait Museum of Islamic Art"

"Ancient Motif Ring, Kuwait Museum of Islamic Art"

Kuwait Museum of Islamic ArtRing
"Andersen Ballet  - Ballerina and Dancing Mobile, Denmark"

"Andersen Ballet - Ballerina and Dancing Mobile, Denmark"

"Mobiles are a traditional Danish craft. Our suspension, hanging Mobiles are created so that the elements are in constant motion while the entire mobile maintains a harmonic balance. Each mobile is carefully assembled, and balanced by skilful hands. They are packed so that they are ready to hang. Our mobiles make terrific additions to any home and are perfect gifts from newborns to all ages. With themes from the abstract arts to animals and nature, placed in an apparently still room the mobiles catch the slightest current of air, providing hours of relaxing memorization. From Denmark.Material: Plastic, 15“ x 28“"
"Ankh :  George Hart Collection, USA. 1567-1085 B.C."

"Ankh : George Hart Collection, USA. 1567-1085 B.C."

"Only Kings, Queens and Gods were allowed to carry this symbol. The ankh is the Egyptian sign of life and indicates that the King or God holding it has the power to give life or take it away from lesser mortals. The Ankh as a symbol of the life giving elements of air and water was often used by a God or Goddess who holds the ankh before the King""s nose, giving him the ""breath of life” or as streams of water in the form of ankhs running over the King during ritual purification. This ankh is decorated with the ""djed” pillar and the dog-headed ""was” scepter. The djed pillar was a symbol of stability and was considered the backbone of the God Osiris. The was scepter was a popular one for the Gods to hold and became a symbol of well-being and happiness. The kneeling figure on top of the djed pillar is the God of ""millions of years” holding branches in his hands. 7.5""H (19cm), Wall Hanging, Casting stone, Antique stone "
"Anubis :  Temple of Abydos, Egypt. 19th Dynasty 1300 B.C."

"Anubis : Temple of Abydos, Egypt. 19th Dynasty 1300 B.C."

"Anubis, God of the Dead, represented with a head of a jackal or simply as a jackal opened the road to the other world and presided over embalmments. After a funeral, Anubis would take the deceased by the hand and introduce him into the presence of the sovereign judges where the soul of the deceased would be weighed. Anubis was the Guardian of Offerings brought to the ceremony by heirs of the deceased and he also guarded the mummy from evil forces in the night. When the body was embalmed, a priest wearing a jackal mask acted as Anubis's representative. He also was the guardian of the Sacred Esoteric Mysteries. The origin of this God lay in the fact that jackals could be heard howling in the desert to the west of the Nile at sunset-at the time when burials took place. Here, Anubis is shown carrying the long ""was"" scepter and the crook and flail, symbols of kingship. 9""H (23cm), on Marble Base : Casting stone, Antique stone with color detail "
"Anubis Relief - Temple of Abidos, Egypt. 19th.Dynasty 1317 B.C."

"Anubis Relief - Temple of Abidos, Egypt. 19th.Dynasty 1317 B.C."

"Anubis, God of the Dead, represented with a head of a jackal or simply as a jackal opened the road to the other world and presided over embalmments. After a funeral, Anubis would take the deceased by the hand and introduce him into the presence of the sovereign judges where the soul of the deceased would be weighed. Anubis was the Guardian of Offerings brought to the ceremony by heirs of the deceased and he also guarded the mummy from evil forces in the night. When the body was embalmed, a priest wearing a jackal mask acted as Anubis's representative. He also was the guardian of the Sacred Esoteric Mysteries. The origin of this God lay in the fact that jackals could be heard howling in the desert to the west of the Nile at sunset-at the time when burials took place. Here, Anubis is shown carrying the long ‘was’ scepter and the crook and flail, symbols of kingship.38""H x 22""W , Wall Hanging of Casting stone with fiberglass reinforcement "
"Anubis relief - Temple of Abydos, Egypt. Dynasty XIX, 1300 B.C."

"Anubis relief - Temple of Abydos, Egypt. Dynasty XIX, 1300 B.C."

"Anubis, God of the Dead, represented with a head of a jackal or simply as a jackal opened the road to the other world and presided over embalmments. After a funeral, Anubis would take the deceased by the hand and introduce him into the presence of the sovereign judges where the soul of the deceased would be weighed. Anubis was the Guardian of Offerings brought to the ceremony by heirs of the deceased and he also guarded the mummy from evil forces in the night. When the body was embalmed, a priest wearing a jackal mask acted as Anubis's representative. He also was the guardian of the Sacred Esoteric Mysteries. The origin of this God lay in the fact that jackals could be heard howling in the desert to the west of the Nile at sunset-at the time when burials took place. Here, Anubis is shown carrying the long ‘was’ scepter and the crook and flail, symbols of kingship.22""H x 9""W (59x23cm) : 10lbs : Bonded stone "
"Anubis Relief :  Temple of Abydos, Egypt. Dynasty XIX 1300 B.C."

"Anubis Relief : Temple of Abydos, Egypt. Dynasty XIX 1300 B.C."

"Anubis, God of the Dead, represented with a head of a jackal or simply as a jackal opened the road to the other world and presided over embalmments. After a funeral, Anubis would take the deceased by the hand and introduce him into the presence of the sovereign judges where the soul of the deceased would be weighed. Anubis was the Guardian of Offerings brought to the ceremony by heirs of the deceased and he also guarded the mummy from evil forces in the night. When the body was embalmed, a priest wearing a jackal mask acted as Anubis's representative. He also was the guardian of the Sacred Esoteric Mysteries. The origin of this God lay in the fact that jackals could be heard howling in the desert to the west of the Nile at sunset-at the time when burials took place. Here, Anubis is shown carrying the long ‘was"" scepter and the crook and flail, symbols of kingship. 12""H x 16.5""H (30x42) : Casting stone, Antique stone "
"Anubis Relief, Painted - Temple of Abidos, Egypt. 19th.Dynasty 1317 B.C."

"Anubis Relief, Painted - Temple of Abidos, Egypt. 19th.Dynasty 1317 B.C."

"Anubis, God of the Dead, represented with a head of a jackal or simply as a jackal opened the road to the other world and presided over embalmments. After a funeral, Anubis would take the deceased by the hand and introduce him into the presence of the sovereign judges where the soul of the deceased would be weighed. Anubis was the Guardian of Offerings brought to the ceremony by heirs of the deceased and he also guarded the mummy from evil forces in the night. When the body was embalmed, a priest wearing a jackal mask acted as Anubis's representative. He also was the guardian of the Sacred Esoteric Mysteries. The origin of this God lay in the fact that jackals could be heard howling in the desert to the west of the Nile at sunset-at the time when burials took place. Here, Anubis is shown carrying the long ‘was’ scepter and the crook and flail, symbols of kingship.38""H x 22""W , Wall Hanging of Casting stone with fiberglass reinforcement "
"Aoi Leaf with Lapis Earrings - Japanese, early 19th Century, Sackler Gallery, Smithsonian"

"Aoi Leaf with Lapis Earrings - Japanese, early 19th Century, Sackler Gallery, Smithsonian"

"The design for this jewelry, a water plant, was adapted from the gold maki-e (sprinkled fine gold particles) on a Japanese wedding palanquin in the Arthur M. Sackler Gallery (S1985.1). A palanquin is a covered vehicle in which a single passenger is carried by one or more bearers. Palanquins were used for excursions, long-distance travel and special ceremonies, such as weddings. This palanquin dates to the Edo period; early 19th century.Approx 1.5""H with Lapis "
"Aphrodite - The Louvre Museum, Paris, 5th Century B.C."

"Aphrodite - The Louvre Museum, Paris, 5th Century B.C."

"Aphrodite was the symbol of female beauty and Goddess of Love, identified in Rome with Venus. Although Homer describes Aphrodite as the daughter of Zeus and Dion, the more popular view was that she was conceived in the foam of the ocean from the seed of Uranus. Dropped there when he was castrated, her name meaning ""foam-born"". Aphrodite was married to Hephaestus, but she loved Ares and she was known for her many love affairs, notably with Adonis and Anchises. Aphrodite the most beautiful woman in the world, inspired lust in all the humans and other creatures of the planet. No one could escape the traps that she set to amuse herself with the doings of love-crazed men and women. The passion which she planted in the human soul was the force that propelled fertilization and reproduction (Venus Genetrix). Her symbols were the laurel, the pomegranate, the dove, the swan, the hare and the ram, all of them connected with physical love and reproduction.12""H (30cm) : 3lbs : Bonded stone "
"Aphrodite Coin Earrings - Greek, c. 480 B.C."

"Aphrodite Coin Earrings - Greek, c. 480 B.C."

"Aphrodite, Greek goddess of love and beauty, is depicted on this coin holding the golden apple of discord. This prize was awarded to the most beautiful of the Olympian goddesses in the judgment of Paris, prince of Troy. The judgment was believed to have inspired the Trojan war.Approx 1.35""H "
"Aphrodite Intaglio Earrings : Fitzwilliam Museum, 1st Century BC"

"Aphrodite Intaglio Earrings : Fitzwilliam Museum, 1st Century BC"

"Aphrodite intaglio the Goddess of Love earrings which is inspired by the original 1st century BC which is located in the Fitzwilliam Museum.Earrings, Sterling Silver"
"Aphrodite Intaglio Necklace : Fitzwilliam Museum, 1st Century BC"

"Aphrodite Intaglio Necklace : Fitzwilliam Museum, 1st Century BC"

"Aphrodite intaglio the Goddess of Love necklace which is inspired by the original 1st century BC which is located in the Fitzwilliam Museum. 18 inch chain.Sterling Silver, Pendant on18 inch chain "
"Aphrodite of Melos, ""Venus de Melos - Venus di Milo""- Louvre Museum, Paris,  200BC"

"Aphrodite of Melos, ""Venus de Melos - Venus di Milo""- Louvre Museum, Paris, 200BC"

"Her graceful body symbolizes an ideal of beauty that many long for but none attain. The French named her the Venus of Milo. In 1820 a peasant named Yorgos found her broken body in an underground cavern on the Aegean island of Melos. Later she was taken out of Greece under unclear circumstances to be taken to Paris where she was to be admired by the millions of visitors to that country's great museum-the Louvre! Aphrodite was the Goddess of Love, identified in Rome with Venus. Although Homer describes Aphrodite as the daughter of Zeus and Dion, the more popular view was that she was conceived in the foam of the ocean from the seed of Uranus. Dropped there when he was castrated, her name meaning ""foam-born"". Aphrodite was married to Hephaestus, but she loved Ares and she was known for her many love affairs, notably with Adonis and Anchises.20"" H, Statue on marble base "
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